Moving Worlds

Volume 8 Number 2

‘New’ New Zealand

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• Contents

  • EDITORIAL

    • STUART MURRAY & MARK WILLIAMS

  • FICTION

    • PAUL DAGARIN, River Exercise
    • ALISON GLENNY, On the Ice
    • SARA KNOX, From The Midday Demon – Railhead
    • CARL SHUKER, From The Depleted Forest – Meals Variously Ready to Eat

  • POETRY

    • ROBERT SULLIVAN, Took: A Preface to ‘The Magpies’,

      Fragments of a Maori Odyssey

    • GREGORY O’BRIEN, The non-singing seats, The Surfer’s Mass
    • JOAN FLEMING, How to have made what we’re making, Going In, Children
    • GEOFF COCHRANE, That Winter with Celeste, Coming Down with Something,

      South Auckland, Late in the Day, Self-Portrait

    • ANNA JACKSON, Dream golems, Pull down the white curtain,

      Poetry and its returns, Infinity

    • CHARIS BOOS, Mnemosyne

  • ARTICLES

    • STEPHEN TURNER, Compulsory Nationalism
    • JAMES MEFFAN, ‘Culturalism gone mad’: The Play of Cultural Rhetoric in the

      Invention of New Zealand National Identity

    • MICHELLE KEOWN, ‘Can’t we all just get along?’: bro’Town and New Zealand’s

      Creative Multiculturalism

    • JANE STAFFORD, ‘Irrevocably mute, for ever mourned’: George Grey and

      his Collaborators

    • KIRSTINE MOFFAT, The River and the Ocean: Indigeneity and Dispossession

      in Vincent Ward’s River Queen

    • MELISSA KENNEDY, ‘Are You for Real?’: Witi Ihimaera’s Eidolon Camouflage
    • CLARE BARKER, ‘Bionic Waewae’ and ‘Iron Crutches’: Turangawaewae,

      Disability, and Prosthesis in Patricia Grace’s Dogside Story

    • JULIE ADAMS, Carving a Space: George Nuku and Power and Taboo:

      Sacred Objects from the Pacific 1760-1860 at the British Museum

  • REPORT

    • STUART MURRAY, Era New Horizons Film Festival, Wroclaw, Poland July 2008

  • REVIEWS

  • NOTES ON CONTRIBUTORS